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Posts Tagged ‘Richard Webner’

Richard got a chance to go to one of the NBA championship series games last night, to cover the NBA’s use of social media.

The result is a really interesting article that addresses not only how the NBA deftly uses different social media sites — and decides which sites are best suited to which kinds of stories or photos — but also the enormous popularity of basketball worldwide.  I had no idea that the NBA had millions of followers worldwide, or that so many people use social media to follow the sport.  If you want to get a good idea of how the internet and modern communications have made the world a much smaller, more intimate place, Richard’s article is a good place to start.

And allow me to put in a plug for Richard’s Twitter feed, which not only gives you a first look at his articles but also includes links to other interesting stories and observations.

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Only his second day on the job, and already Richard has a clip under his belt.

It’s an interesting piece about Gander Mountain, the outdoor and firearms retailer, opening a big new store in the San Antonio area, and more broadly about the increasing demand for guns and ammo in San Antonio and across the country.  I knew that many Americans are arming themselves to the hilt and packing heat as they walk the streets thanks to concealed carry laws, but I had no idea that female-only shooting clubs were a new trend.

The San Antonio Express-News has a very user-friendly website if you want to keep track of Richard’s work on the business beat this summer.  Well done, Richard!

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Oversize beads hanging from a tree in a sculpture garden in New Orleans.

On a windy Monday afternoon, my friends and I slipped into the Spotted Cat bar on Frenchman Street in New Orleans. We ordered a round of Abita beers and listened to Sarah McCoy’s Oopsie Daisies, a 1940s-style blues lounge band. Sitting on stools in the middle of the bar, we shared a cigar while watching the lead singer in a red dress croon love ballads.

Only in New Orleans could you stumble on such a great band on a Monday afternoon. The town is saturated with great musicians. With the older ones, you get the sense they’ve been playing in New Orleans for decades and long ago passed the line of virtuoso into whatever comes after. You feel that the young ones came because they love music and know there’s no city where they’ll be more appreciated.

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Sarah Mccoy’s Oopsie Daisies perform in the Spotted Cat on Frenchman Street.

You don’t have to worry about whether they’re good or not. New Orleans doesn’t tolerate bad musicians. Even the street musicians are high caliber and play with passion. We saw great jazz bands, blues bands, funk bands, rock banks, and the wonderful Treme brass band, which pulled my friend Liz on stage during their last number after she distinguished herself in the crowd with her dancing.

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The Treme band.

I’ve heard New Orleans called the most unique city in America. Although I’ve been taught to be skeptical of the word “unique,” I think the title is deserved. The city’s past as part of the French and Spanish empires has left it with a perceptibly non-American cultural strain. In most of the United States, houses are decorated modestly, but not there. They paint their houses as if they’re competing to have the most colorful one on the block. They put rococo frills wherever they can, especially on their metal balconies. Even weeks after Mardis Gras, it’s not uncommon to see a tree whose branches are so dense with hanging beads that it looks like it came from the candy paradise scene in Willy Wonka.

New Orleans also stands out among American cities by allowing open containers of alcohol on the streets at any time of the day, which people take great advantage of in certain quarters.

That’s not to say the city isn’t American. The most prominent culture in the city, probably, is African-American. There’s been controversy over the city’s shift toward a whiter population since Hurricane Katrina led to the evacuation of black neighborhoods, but it’s still 60 percent black. The black community has established the blues and jazz core of the local music and seem to make up most of the musicians.

The iconic New Orleans sandwich, the po’ boy, also originated with the community. I wouldn’t recommend eating a po’ boy every day if you plan to live past 40, but they’re delicious in a greasy way, and they do a great job of preparing your stomach for a night of beers.

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New Orleans also has a distinctively southern character. While eating New York-style sandwiches in Stein’s Deli, a place we became addicted to during our stay, we started talking to a pair of older ladies who seemed to come from the southern gentry. The more talkative of them proudly told us that the other lived in the house Jefferson Davis died in (her friend nodded proudly). We confirmed this afterward.

The talkative southern lady insisted on giving each of us hugs after our conversation, even though the four members of our group ran the spectrum from loving hugs to reserving them for weddings, graduations and funerals. This was one of countless examples of extraordinary friendliness we encountered in New Orleans. The night we arrived, a group of twenty-somethings devoted nearly a half hour of their night to giving us advice on where to go. It’s not uncommon while walking down the street for passersby to give you an earnest “good times!”

The supreme act of friendliness was our encounter with Wendell Pierce, the New Orleans native who played Bunk on The Wire and Antoine Batiste on Treme. We read in the Times-Picayune that he would be opening a grocery store on the outskirts of the city in an effort to eliminate a food desert, so we stopped by on our way to see the beautiful marshland at the Jean Lafitte National Park.

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The alligator-infested marshland in Jean Lafitte National Park.

We were bashful about approaching Pierce, who was busy talking to neighborhood folks in the crowded supermarket. We almost left, but then we saw Pierce suddenly standing alone. He shook all our hands (we agreed that his handshake was really soft, but not in a bad way), and asked where we were from. He was happy to hear we were from Mizzou, and asked some sports-related questions I didn’t understand.

Later, we worried that he thought we were in town as part of a charity effort instead of being on vacation. Still, I’ll always remember his generosity in opening the grocery store and taking the time to ask questions of four strangers on that busy day.

I only spent a week in New Orleans, but I think I’ll carry a little bit of it with me for a while. It makes you want to be more passionate about music and to take more out of life, in a friendly way.

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Richard has started writing movie reviews for Vox, a magazine published by the Columbia Missourian.  You can read his first Vox film review, of the animated feature Escape From Planet Earth, here.

Movie reviews serve an important public purpose.  Movies are increasingly expensive — some theaters here charge $9.50 a ticket, which is real money — and a fair but cautionary review can allow you to avoid wasting your hard-earned cash on abysmal Hollywood dreck.

It’s also important, however, to find a reviewer who tends to look at the film world the same way you do.  Some reviewers like only the artsy, highbrow stuff and sneer at any mainstream fare.  Those folks could be the finest review writers in the world, but their reviews aren’t going to do much for me, because the Hollywood offerings are typically what I like to watch.  I don’t want a reviewer who hates everything that comes out of Tinseltown, I need someone who can differentiate the crappy, uninspired blockbuster from the one that really packs a punch.

Based on Richard’s past reviews published right here on Webner House, I think he gives pretty good guidance on what to watch and what to avoid.

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For some time, Richard has been working on a long piece about Dave Griggs, a Columbia, Missouri businessman and civic leader.  It was published today in the Columbia Missourian, and it’s a really good piece of work — one that let Richard break out of the classic inverted pyramid news story and stretch out a bit, displaying some nice writing flourishes along the way.

Congratulations, Richard, on a job well done!

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Richard has been doing a wonderful job with his reporting for the Columbia Missourian.  I particularly liked a recent story about negotiations between the city of Columbia and the airlines about flights into Columbia’s airport.

It’s an excellent example of old-fashioned reporting — what my former advisor on the Ohio State Lantern, the hard-bitten, gravel-voiced Tom Wilson, would call “shoe leather” journalism.  The phrase refers to using every tool at your disposal and not being satisfied until you really get to “the story” — and if that means you go from source to source and wear out the soles of your shoes, you do it.   In Richard’s case, the Missourian used the public records laws to request emails concerning the negotiations.  The Missourian received 160 emails in response to their public records request and then prepared the story on the basis of those source documents.

Pretty cool!  I wish more journalists would use the public records laws, the open-meetings laws that require most governmental meetings to occur in public, and other laws that promote access to prepare their stories, rather than just settling for a few quotes and, often, leaving the real story untouched.

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The enslaved fast-food worker Son-Mi struggles for freedom in 22nd-century Korea.

I would be hard pressed to think of a book more difficult to turn into a movie than David Mitchell’s Cloud Atlas.

Mitchell’s book follows six plots from six eras of history. The stories are about, in chronological order, a man working on a slaveboat in the 19th century who has a crisis of conscience, an aspiring composer from the 1930s who must hide his homosexuality, a reporter in 1970s California who uncovers a deadly plot involving a nuclear power plant, an English man from the present day kept prisoner in a nursing home, a cloned fast-food slave from 22nd-century Korea who attempts an escape, and a man in post-apocalyptic Hawaii trying to protect his village from a predatory tribe. The plots are loosely connected by hints that some characters are reincarnations of the same soul.

As if turning that into a film weren’t hard enough, the book has a pita-sandwich structure, with the earliest story beginning and ending the book, the second coming second and second-to-last, etc. Only the chronologically-last story is unbroken in the middle, with the others cutting off abruptly, sometimes in the middle of a sentence.

When I saw the film version of Cloud Atlas over the weekend, I was amazed that the Wachowskis managed to turn the book not only into a coherent film, but an entertaining, thoughtful one. This took some serious story-telling skills and imagination (they are, after all, the directors of The Matrix), but also a talented cast and great stories to work from.

The movie abandons the pita-sandwich structure of the book. I imagine this was a difficult decision for the filmmakers, but the right one. They would be asking a lot of the audience to wait three hours (the movie clocks in at 2 hours and 50 minutes) to see the conclusion of the story that began the film. Instead, the directors and editors spliced together the six stories in parallel, matching their expositions, climaxes and denouements. In a feat that surely drew a lot of sweat from the screenwriters, editors and directors, they made this work. Although the pacing lags a bit near the end, they put the stories together in a way that makes their common themes clear and keeps the viewer hooked.

As in the case of all their work, the Wachowskis use their imaginative prowess to take the film to a higher level than the average Hollywood thriller, especially in their depiction of the 22nd-century Korea in which a “corpocratic” government rules over a mass of depraved consumers. A clone named Sonmi who is enslaved in a McDonald’s-style restaurant goes on the lam after glimpsing an inspiring movie clip on a customer’s phone. While reading the book, I savored every detail of this fascinating dystopia, and I felt the same way during the movie. The Wachowskis use special effects to create a brilliant vision of a brutal future that made me wish I could pause the movie to get a better look at Neo Seoul. The setting rivaled the Los Angeles of Blade Runner and the vast human-farms of the original Matrix in its horrible wonder.

Another ingredient of the glue that holds these plotlines together is the cast. Tom Hanks, Halle Berry, Hugh Grant and Susan Sarandon play different characters in each of the stories, helping the viewer understand their cosmic connections. I especially enjoyed watching Tom Hanks show a versatility I didn’t know he had. I’ve always thought he had a knack at giving movies a moral center with down-to-earth roles, but here he pulls off a wild range of personalities – an evil doctor on a slave boat, a slimy hotel clerk, a conscientious nuclear scientist, a cockney tough-guy, and a schizophrenic tribal leader who speaks a pidgin future American English.

The Wachowskis were also successful in translating the themes of the book to the screen, if in a more digestible form. Each of the six stories follows characters who make the difficult choice to go against the grain of their historical setting to do what’s right. Obviously, the goodwill of the characters doesn’t keep society from going bonkers – that’s evident even from the trailer or the description on the back of the book. The message of the movie and the book is that even futile acts of charity are worthwhile because they elevate the human soul to an ether above worldly matters. Watching these stories, I felt the same revolutionary thrill as when Neo kills the agents at the end of The Matrix.

I was motivated to write this review by the lukewarm reception the movie has received elsewhere. I was bewildered by this, because Cloud Atlas got an emphatic check mark next to every entry on my list of what a movie should be. It was fun, it featured interesting characters, it transported me to different worlds, and it gave me something to think about after I left the theater.

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Tomorrow night Russell comes home for a class reunion and a few days at home.  The sense of excitement and anticipation at the Webner household is palpable.

It’s the same whether it’s Richard or Russell who is arriving for a visit.  And if it’s both, it’s like Christmas.  (Of course, it usually is Christmas, but that’s neither here nor there.)

Their favorite foods are culled from a mother’s loving memory, purchased at the neighborhood grocery store, and made available for ready consumption.  (Hey, does Russell really still like Fruit Roll-Ups?)  Their rooms are carefully cleaned, sheets are freshly laundered, and beds are made with a precision that would make a drill sergeant smile.  Ample supplies of beer and snacks are laid in for the duration.  And, typically, a few new decorative touches get added to the household mix.

Phone calls and text messages are nice ways to keep in touch, and an occasional, surreptitious look at a Facebook page might provide some useful information about how things are going, but nothing satisfies that parental itch like an in-person visit.  How else are you supposed to really know whether your child seems to be eating enough and looks healthy and happy with his life?  Even if your kids aren’t big soul-confiding talkers — and boys tend not to be — you can still glean so much from random quiet moments, a dinner at the kitchen table, and a few smiling, sidelong glances at the strapping young men who used to be the tow-headed little boys fooling around on the front step.

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Starting this week, Richard is reporting for the Columbia Missourian.  The newspaper’s website has the first two pieces he’s written:  an article on a painting selected to serve as Columbia’s annual commemorative poster and a news story on arrests made in the robbery of a Domino’s delivery driver.

We’re proud of Richard and think it’s cool that he’s been published already, but I’m also glad to see the kind of articles he’s written.  A lifestyles feature story and a “police beat” report on an arrest are bread-and-butter pieces for any professional journalist.  Learn to write those stories well — using the “inverted pyramid” in which the most important facts are put up front, remembering the need to answer the “5 Ws and an H”  (who, what, where, why, when, and how) in your article, checking your quotes and sources, proofreading, and editing so that every unnecessary word hits the cutting room floor — and you can write just about anything.  Just thinking about it makes me want to grab a notepad and sprint to the nearest newsroom.

I won’t post about every article Richard writes, but if you’re interested in following his work, the Missourian has a searchable website that can be found here.

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Richard has returned from his four-and-a-half month journey through Europe, and it is wonderful to see him again after so long. 

He got in yesterday on a flight from Amsterdam and looks great.  His trip seems to have been a fabulous, enriching experience and a real opportunity for personal growth.  He has made some new friends, learned some things about himself, and collected some happy memories that will last a lifetime.  As a Dad, of course, I’m also proud that he organized the whole trip himself, after saving for more than a year to make it possible.

I will miss reading his blog postings about his adventures in some exotic European location, however.  It has been fun to vicariously experience his grand tour.

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Krakow's market square.

Although I was exhausted after spending the night sitting in a train seat, stuck in that area between consciousness and sleep that makes you wonder afterwards whether you were actually sleeping or not, after arriving in Krakow I set off to see the former factory of Oskar SchindlerSchindler’s List was filmed at the factory, so I recognized many rooms from the movie.

The factory was recently converted into a museum about the Nazi occupation of Poland. The museum didn’t dwell much on the story of Schindler saving his Jewish workers, unfortunately, but it did a wonderful job showing what conditions were like under the General Government. In nearly every room there were computer consoles with a selection of video interviews of Poles telling stories about their experiences of that era. I love it when museums include personal stories like that.

Schindler's factory.

My main impression from the museum was how appalling the actions of the Nazis were – not exactly a novel insight. Nazi Germany did everything it could to make Poland into a colony where the Poles served Germans as slaves. They attempted to wipe out Poland’s intelligentsia and keep children from learning to read or to count above 500.

My hostel, the Goodbye Lenin hostel, was only a few blocks from Schindler’s factory. I had a wonderful time staying there and would rank it among my top five favorite hostels. It had a beautiful garden area with plenty of picnic benches, free computers (although slow ones), a good kitchen, and an extraordinarily generous free breakfast that included cereal, orange juice, coffee, tea, jelly, butter, chocolate spread, honey, cookies, and an assortment of meats and cheeses. I found that if I ate a really large breakfast right before it ended at 11, it sufficed as lunch.

The hostel also provided lots of activities that made it easy to meet people. One night an employee started a game of Kings (they call it Circle of Death or Circle of Fire in Europe), providing free shots of vodka and orange juice.

On my second day in Krakow I took a bus to Auschwitz-Birkenau. My experience at Auschwitz was like my experience at Sachsenhausen in Berlin – I had trouble comprehending the extent of the horror that occurred there. I tried to keep in mind the fact that 1.5 million people were murdered on the ground I was walking on, to imagine what it must have been like for both the prisoners and the guards, but I couldn’t understand it. I know what literally happened there, I know the chain of events that led to Auschwitz, but I don’t know how it happened on a personal level for the people involved. How could millions of Germans, real thinking people, have collaborated to make what was basically a factory for killing people? How did the people who were imprisoned and killed there endure what was happening to them?

Birkenau.

Some bunks at Birkenau.

A gas chamber the Germans attempted to destroy before the war's end.

There were lots of pictures on display of Jews arriving at the camp, being split into two groups: those fit to work and those to be gassed to death. It’s interesting to look at the expressions on their faces. They usually look unhappy, but not utterly miserable or terrified – they have the same hard expressions you would see on the faces of people waiting in a really long line. Maybe they had been suffering for so long that they resigned themselves to it. Some of them probably coped by staying hopeful. Many did not know that they were about to be killed, because the Germans hid it from them. Either way, it’s heartbreaking to look at those photographs, which always include mothers holding their babies and children holding hands.

The Birkenau part of the camp, where people were gassed, is so spread out that it makes you feel lonely and bleak. The day I went happened to be really hot and humid. The Germans tried to destroy the gas chambers in the last days of the war, so all the remains are some collapsed roofs.

Auschwitz.

The Auschwitz part (a short, free bus ride away), consists of rows of brick houses that don’t look like they were used for sinister purposes. They look like they could be part of a nice college campus. In these houses lived those who were lucky enough to be chosen as workers. The buildings have been turned into museums about daily life in the ghetto, the Polish resistance, the Nazis’ confiscation of property, etc.

Suitcases taken from those imprisoned at Auschwitz.

Inside, there were displays of suitcases, glasses, and children’s toys taken from the Jews by the Nazis. The most horrifying was a display of hair cut off the heads of murdered women, for sale to the German textile industry. Again, I can’t understand how so many Germans could have worked together to find a way to use the hair of murdered women in clothing, apparently thinking it was an okay thing to do. It is unbelievable, something that belongs in a ridiculous Hollywood screenplay, not in real life. Maybe extreme circumstances such as those occurring in Nazi Germany bring out a side of human nature that we don’t see in our relatively comfortable lives.

I was fortunate to have a pretty, pleasant city to return to after leaving Auschwitz. Krakow is small, feeling more like a town than a city. Pretty much everything is within walking distance. The market square has a beautiful brick cathedral and Gothic market, and on the edge of the old city there is a castle on a grassy hill. My favorite thing about Krakow, physically, is the park that surrounds the old city in a giant ring.

Krakow's castle.

The tower in Krakow's market square.

Yesterday, I got lost on my way to the airport, arriving minutes after the gate closed but before the plane took off, so that I could see the plane I was supposed to be on outside the window. I had to pay a fee to change for a flight the next day, but I was surprisingly okay with it. After traveling so long, I’ve learned to accept my own mistakes and bad fortune. I decided to walk back to Krakow from the airport using country roads. It was a lot of fun until near the end when I got really exhausted.

Maybe I didn’t care much about missing my flight because it meant I got another day in Krakow. I had been feeling guilty about only booking three nights there. I was happy to spend one more night drinking cheap beers with my new friends from Georgia (the country), the Netherlands, England, and Scotland.

Eurotrip 2011: Prague

Eurotrip 2011: Budapest

Eurotrip 2011: Vienna

Eurotrip 2011: Hamburg and Munich

Eurotrip 2011: Berlin

Eurotrip 2011: Copenhagen

Eurotrip 2011: Bruges and Amsterdam

Eurotrip 2011: Lisbon and Porto

Eurotrip 2011: Madrid

Eurotrip 2011: Barcelona

Eurotrip 2011: Rouen, Le Havre and Paris

Eurotrip 2011: Paris

Eurotrip 2011: Nice and Marseille

Eurotrip 2011: Venice and Milan

Eurotrip 2011: Interlaken

Eurotrip 2011: Florence and Pisa

Eurotrip 2011: Rome pt. 2

Eurotrip 2011: Rome pt. 1

Eurotrip 2011: Palermo

Eurotrip 2011: The Journey To Palermo

Eurotrip 2011: Santorini and Athens

Eurotrip 2011: Athens

Eurotrip 2011: Istanbul

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A view of Prague.

It was raining for most of the six days I was in Prague, and I was really absorbed in the book I was reading (Infinite Jest by David Foster Wallace, which I’d been meaning to read for a long time), so I spent most of the first half of my stay lounging around my hostel. I was lucky that it was one of those hostels that puts a reading light on the wall by every bed. I was so into the book that I hardly even spoke to anyone.

It didn’t help that the hostel, Sir Toby’s Hostel, was in sort of a dull neighborhood far from the city center. I usually prefer walking to public transportation, and the walk from the hostel to old Prague took at least half an hour and required crossing many busy, pedestrian-unfriendly streets.

Apart from the location, Sir Toby’s was an A+ hostel, with a friendly staff, free computers, a well-stocked kitchen, and several balconies and a garden area to hang out in. There was even a free barbeque on Canada Day – the first time a hostel has offered me free non-breakfast food. Strangely, there was no barbeque for the 4th of July, which I celebrated by buying a Zlatopramen beer – I wanted to buy an American beer, but I couldn’t find any.

After it stopped raining, I spent a lot of time simply wandering around Prague, admiring its beauty. As I mentioned in my entry about Vienna, Amadeus was filmed in Prague due to its abundance of 18th-century architecture. Most of the buildings in the old city are the kind you would see in the background of that movie.

Prague is also a great city for Gothic architecture. Scattered here and there are big, black, menacing tower-gates. In the center of the city is the Old Town Square, constantly jammed with tourists, with a Gothic cathedral and a clock tower from which a man blows a trumpet to mark every hour. There are numerous alleys branching off the square, and I had a lot of fun turning into one of them at random and seeing where it led me.

The clock tower in the Old Market Square.

One of Prague's gothic towers.

Prague’s most famous landmark is probably the Charles Bridge, a Gothic bridge with one of those scary black towers at the end. Unfortunately, it is always crowded with tourists and people making money off them – much of the bridge is occupied by caricaturists. Across the bridge, on the same side of the river as my hostel, is the Prague Castle, which contains within its walls the Saint Vitus cathedral, one of the most impressive cathedrals I’ve seen in Europe. It was so big I couldn’t fit it all in one picture.

The Charles Bridge.

The difficult-to-photograph Saint Vitus cathedral.

The only museum I went to in Prague was the Communist Museum, which told the story of the Czech Republic’s communist era and the 1968 Prague Spring revolt which was brutally suppressed by the Soviet Union. I enjoyed the Communist Museum, but it was one of those museums that doesn’t have many real artifacts, only paragraphs on placards on the wall, so going to the museum is sort of like paying to read a Wikipedia entry. They did have some communist propaganda posters, however, which I always find fascinating and actually sort of inspiring in their earnestness. They obviously tried to make the posters as striking as possible in an effort to inculcate the masses with communist values.

The text says, "We are building communism, we unmask the saboteurs and enemies of the republic, we are strengthening the front of peace!"

Like with Budapest, communism didn’t seem to leave much of a mark on Prague, architecturally. There is one leftover of communism in Prague, though – its affordability. You can get a half-liter beer in a bar for the equivalent of just over a euro, and in a convenience store for about 50 euro cents. My hostel cost only 15 euros a night, a really good deal for a top-quality hostel in July.

On July 6th, I left Prague on an overnight train to Krakow – hopefully, the last overnight train I will have to take on my trip.

Eurotrip 2011: Budapest

Eurotrip 2011: Vienna

Eurotrip 2011: Hamburg and Munich

Eurotrip 2011: Berlin

Eurotrip 2011: Copenhagen

Eurotrip 2011: Bruges and Amsterdam

Eurotrip 2011: Lisbon and Porto

Eurotrip 2011: Madrid

Eurotrip 2011: Barcelona

Eurotrip 2011: Rouen, Le Havre and Paris

Eurotrip 2011: Paris

Eurotrip 2011: Nice and Marseille

Eurotrip 2011: Venice and Milan

Eurotrip 2011: Interlaken

Eurotrip 2011: Florence and Pisa

Eurotrip 2011: Rome pt. 2

Eurotrip 2011: Rome pt. 1

Eurotrip 2011: Palermo

Eurotrip 2011: The Journey To Palermo

Eurotrip 2011: Santorini and Athens

Eurotrip 2011: Athens

Eurotrip 2011: Istanbul

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A view from the Buda side of Budapest.

My Eurail pass expired while I was in Vienna, so I took a Eurolines bus from there to Budapest for 19 Euros. In addition to being cheap, the Eurolines buses are surprisingly comfortable. All three of the buses I’ve taken so far have been less than half full, giving me more personal space than I had on the trains. The interiors of the buses are so clean they seem new. It’s also nice that there are electrical outlets in every other row. The main downside is that the bus stations tend to be in out-of-the-way places, not in the center of the city like the train stations.

My hostel in Budapest, the Mandarin Hostel, was also on the outskirts of the city, only one metro stop from the bus station. The Mandarin Hostel was wonderful, despite being a 30-minute walk from the city center. I can usually tell by the time I reach the reception desk whether I’ll like a hostel or not. In the case of the Mandarin Hostel, I saw the tall ceilings, the old, elegant marble staircase, the courtyard with broken-in lawn furniture and grill, and the absence of dozens of people milling around the reception desk, and I knew I would like it. It also helped that the employee at the front desk (and owner, I believe), named Zoltan, was friendly and knowledgeable about the city, and reminded me of Bob Newhart, except he had a really deep voice.

Mandarin hostel also had a great kitchen with many cooking tools I had never even seen before, in addition to the crucial can-opener.

I became friends with some guys in my room – an English fellow, an Irish guy, and two friends from Singapore. One night we went to a few pubs with a Romanian girl and a Finnish girl also staying at the hostel. Before we even left, the Irish lad had enough beers and liquor to put me in the hospital, without even seeming buzzed.

The gang at the hookah bar.

We went to two excellent bars where I had a couple half-liter Arany Aszok beers. It was a Sunday night, and both bars had a nice amount of people – not crowded, but not empty. We didn’t even have to wait for the foosball table at the first bar, where we played a few games. Both also played great music. The first one had a jazz band performing, and the second was playing obscure tunes by Grace Jones and Kraftwerk. At the second bar, we ordered a hookah and smoked strawberry-flavored tobacco, which reinvigorated some of us somewhat, it being past three in the morning.

The Finnish girl and the Singaporean guys went home after the second bar, while I opted, against my usual habits, to continue the night with the others. We got another round of beers at another bar while it grew light outside, then we walked through the empty streets to a Turkish-style bathhouse, a leftover from Turkey’s occupation of Hungary, arriving just as it opened at 6 A.M.

The baths.

We were the youngest people in the baths by about 30 years, and we got unpleasant looks from the other patrons, as if they intuited that we had been out all night drinking. The baths complex was what I imagine the ancient Roman baths to be have been like: pools of varying temperatures surrounded by ornate columns, arches and statues. We started in a warm outdoor pool that had a whirlpool in the center. Then, we took a short but painful dip into a cold indoor pool that immediately chilled the bones in my toes. We proceeded to an even hotter indoor pool, then we returned outside.

The baths' interior.

The others remained out there (some of them managed to catch a few winks in the pool), while I went back inside to try the thermal baths. They had already been to the baths a few days before and weren’t eager to come home smelling like sulfur again. The thermal bath gave me a pleasant tingling sensation all over my body, and I felt very tender and relaxed afterwards, although I did end up with a rotten-egg smell that remained even after another dip in the normal pool. After more than an hour at the baths, we took the metro back to the hostel and crashed.

A cathedral in Budapest.

A beautiful but neglected building.

The ornate surroundings at the baths were not unusual – Budapest has a lot of beautiful architecture in unexpected places. A stroll through the city will take you by many unique buildings showing a mixture of Western and Eastern influences. Unfortunately, many of the buildings are falling apart, probably due to neglect during the communist era and damage caused by the rebellion of 1956. Hungary’s current economic situation has also probably played a role. It is clearly less wealthy than European countries to the west, with levels of homelessness I haven’t seen since I left the U.S. Budapest also reminded me of American cities in that its metro trains seem to be many decades old.

Budapest's riverfront.

Budapest’s riverfront rivals Porto’s in its beauty. The Buda side (Budapest is actually two cities, Buda and Pest, joined together) is hilly, heavily wooded, and relatively empty, with a medieval palace atop one of its hills. The Pest side is dense with gothic churches and government buildings. Despite being under communist rule for decades, there are very few ugly concrete-and-glass buildings in Budapest.

One day I took a long bus ride to Memento Park, where the propagandistic statues of the old communist regime have been deposited. Some of the statues were actually really powerful. One that struck me was of a worker striding forward with his arms raised in triumph and a determined look on his face, presumably meant to represent the impetus of the communist revolution. Looking at the statue, I felt like the man had enough forward momentum to break free from the platform and walk out the park.

A Red Army soldier.

A statue of Lenin.

The rebellious worker.

Budapest was another place where a great hostel plus a great city equalled a great time for me. I’m glad that I’d decided to book a generous five nights there.

Eurotrip 2011: Vienna

Eurotrip 2011: Hamburg and Munich

Eurotrip 2011: Berlin

Eurotrip 2011: Copenhagen

Eurotrip 2011: Bruges and Amsterdam

Eurotrip 2011: Lisbon and Porto

Eurotrip 2011: Madrid

Eurotrip 2011: Barcelona

Eurotrip 2011: Rouen, Le Havre and Paris

Eurotrip 2011: Paris

Eurotrip 2011: Nice and Marseille

Eurotrip 2011: Venice and Milan

Eurotrip 2011: Interlaken

Eurotrip 2011: Florence and Pisa

Eurotrip 2011: Rome pt. 2

Eurotrip 2011: Rome pt. 1

Eurotrip 2011: Palermo

Eurotrip 2011: The Journey To Palermo

Eurotrip 2011: Santorini and Athens

Eurotrip 2011: Athens

Eurotrip 2011: Istanbul

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A public square in Vienna.

I only booked three nights in Vienna because someone told me it was ugly. I don’t remember who told me that, but the idea took root in my head. I imagined a bombed-out city of wide streets, awkward green spaces and glass office buildings, like the worst parts of Berlin and Hamburg.

Actually, Vienna was an exceptionally beautiful city, and I regretted not spending more time there. Maybe the person who misled me about Vienna held a personal grudge against the city because he was mugged there. Maybe he was thinking of another city that was ugly. Or, maybe I was mistaken and it was another city he said was ugly.

A surprisingly high percentage of Vienna’s center consists of beautiful baroque buildings, giving it an architectural uniformity almost equal to that of Paris. While walking through the crooked streets downtown, I often had a flashback to the scene in Amadeus in which Mozart drinks a bottle of wine while walking to his apartment past horse-drawn carriages and street-performers. The architecture in Vienna was so similar to that of the movie that I assumed it was filmed there – especially since it takes place in Vienna – but a look at the IMdB page shows that it was filmed in Prague, where I will be soon.

A typical beautiful building in Vienna.

The Stephansdom cathedral.

The Votivkirche, blocked by an unfortunate advertisement.

There are also a few magnificent Gothic buildings scattered about, including two cathedrals and a Rathaus. Unfortunately, all three of these wonderful buildings were undergoing renovations during my visit, and one of the cathedrals had an advertisement hanging rudely from it. I also stopped by the Secession center, an Art Nouveau building used as a meeting place by artists like Gustav Klimt who rebelled against the conservative establishment in Vienna’s art scene in the late 19th century.

The Secession building.

One of my favorite buildings in Vienna was Karlskirche, a baroque church framed by two triumphal columns inspired by Trajan’s column in Rome. According to Wikipedia, the columns illustrate scenes from the life of St. Charles. I think it’s very interesting, although probably not totally appropriate, that an architectural form originally used to trumpet the military exploits of an emperor is used to tell the story of a Christian saint.

Karlskirche.

My hostel – the Hostel Ruthensteiner – was wonderful, with a great kitchen and a beautiful courtyard with plenty of comfortable chairs. However, it became so crowded during breakfast and dinner-time that it was difficult to cook or meet people, simply because of a lack of space. Luckily, I already had a friend in the city. Dhika, the Indonesian student I met in Florence, is completing her Masters in Vienna, so she showed me around.

The day I arrived Dhika took me to the Schonbrunn palace, once the summer getaway for the Holy Roman Emperors, now surrounded by urban sprawl. It reminded me a lot of Versailles. We strolled through the gardens to the top of a hill with a great view of Vienna.

Schonbrunn

The last day of my stay was the first day of Donauinselfest, an annual rock concert held on an island in the Danube river. That night, Dhika and I took a train there to watch a German rap-rock group perform. They weren’t playing my kind of music, but they weren’t bad. I had a good time despite cutting my hand while attempting to open a bottle of beer with a key.

Donauinselfest

Later that night, back at the hostel, I was awoken by someone who seemed to have had too good of a time at the festival – one of my roommates was puking onto the floor by the window. Everyone in the 10-bed room seemed to wake up, but no one said anything as he heaved a few times and walked casually to his bed. I simply returned to sleep so that I would be well-rested for my bus ride to Budapest the next morning.

Eurotrip 2011: Hamburg and Munich

Eurotrip 2011: Berlin

Eurotrip 2011: Copenhagen

Eurotrip 2011: Bruges and Amsterdam

Eurotrip 2011: Lisbon and Porto

Eurotrip 2011: Madrid

Eurotrip 2011: Barcelona

Eurotrip 2011: Rouen, Le Havre and Paris

Eurotrip 2011: Paris

Eurotrip 2011: Nice and Marseille

Eurotrip 2011: Venice and Milan

Eurotrip 2011: Interlaken

Eurotrip 2011: Florence and Pisa

Eurotrip 2011: Rome pt. 2

Eurotrip 2011: Rome pt. 1

Eurotrip 2011: Palermo

Eurotrip 2011: The Journey To Palermo

Eurotrip 2011: Santorini and Athens

Eurotrip 2011: Athens

Eurotrip 2011: Istanbul

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A remnant of the Berlin Wall.

Berlin isn’t a very pretty city. Most of its buildings are of the glass-and-metal post-war style, put up quickly to replace ones that were destroyed in the war. Its center consists mostly of big, charmless monuments, museums, and government and office buildings. But it makes up for its lack of beauty with an abundance of history, resulting from its status as the capital of the Third Reich and as a red-hot collision point between the two sides of the Cold War.

On the first of my six full days in Berlin, I visited the Holocaust Memorial, an acre or so of cement blocks, some towering over your head, some no higher than your knee. It reminded me of the Vietnam Memorial in Washington, D.C., in that it seemed to express something about the event in an impressionistic way. Underneath, there’s a free museum telling the story of a half-dozen people who perished in the Holocaust.

The Holocaust Memorial.

I hate to say it, but a large chunk, maybe most, of my sightseeing in Berlin was Holocaust-related. It’s simply the most fascinating thing about Germany’s history for me. It’s good that Germany has taken responsibility for the atrocities it committed against the Jewish people and supports tourists’ curiosity about it. In addition to the Holocaust Memorial, they’ve built a large, modern Jewish Museum, which tells the history of the Jewish people in Germany going all the way back to the diaspora. Parts of the museum are impressionistic in the same way the Holocaust Memorial is. One room has thousands of anguished-looking metal faces on the floor which make jarring sounds when you walk over them, representing victims of violence around the world.

The metal faces.

The main impression I got from the museum is how sad it is that the relationship between the Germans and the German-Jews, which showed hope of improving in the 19th and early 20th centuries, came to such a horrible end, and nothing can be done to fix it because the German-Jews don’t really exist anymore.

Later in the week I took a train to the Sachsenhausen concentration camp in the suburbs. Really in the suburbs – the camp borders the backyards of suburban houses. Whether the houses were there during the time of Nazi rule, I don’t know. Like the Holocaust Memorial Museum, Sachsenhausen seems to be heavily subsidized by the German government, making admission free.

Part of the wall at Sachsenhausen.

Sachsenhausen.

Bunks.

Sachsenhausen was one of the first concentration camps, built in 1936. It originally housed political prisoners, but in the last years of the war it mostly held Jews and Soviet prisoners of war. It’s hard to describe the feeling you get from being inside a place designed to destroy the human spirit. Even while there, it’s hard to conceive that 30,000 people were murdered at the site, and many more lives were ruined.

A Jewish man staying at my hostel in Athens believed that Germans are sneaky, malicious people by nature, but the ones I’ve spent time with have been nice. It’s hard to believe that what is today a benevolent, reasonable society could have committed such acts within the lifetimes of people still living. I’ve tried to get inside the minds of the perpetrators of the crimes and justify the way they acted by their age (the average age of guards at Sachsenhausen was 20), by their getting brainwashed by propaganda and fear, but I can’t do it. They must have been really messed up people. I suppose that the majority of Germans living under the Nazis, even the majority of Nazi soldiers, knew that horrible things were being done to the Jews, and wouldn’t have done those things themselves, but didn’t protest out of fear of what would happen to them or their family. The people who committed the crimes were sociopaths, who exist in every society, but usually don’t reach positions of power.

Berlin suffered for its crimes by being split in two soon after the war. Berliners are still sensitive about this; I was reprimanded by the owner of my hostel for saying that something was in East Berlin. You can tell when you cross into former East Berlin because the post-war buildings look even shabbier.

Checkpoint Charlie today.

I went to two excellent museums that covered the Cold War era in Germany – the Checkpoint Charlie Museum, and the DDR Museum. The Checkpoint Charlie Museum tells the story of the construction of the Berlin Wall (or the “Anti-Fascist Protection Rampart”, as the East German government called it), and the thousands of attempts by East Germans to cross it before it was torn down in 1989. Some of the attempts were wonderfully successful, using air balloons and clever hiding places in cars and suitcases, etc. Some were not, such as in the case of 18-year-old Peter Fechter, who was shot in his attempt to cross and took fifty minutes to bleed to death while East German and West German guards, police officers, and American soldiers refused to step into the no-man’s-land to help him.

The DDR Museum offers insight into the daily life of citizens of the German Democratic Republic, which you don’t hear much about when you learn about the Cold War in high school. There were displays covering clothing styles (surpringly similar to those of the capitalist world at the same time, although using cheaper fabrics), vacations (nude beaches were popular), and music (radio stations were required to play mostly music from Communist countries, but Western rock was still supreme). The museum displayed a Trabant, East Germany’s poorly running response to the Volkswagen Beetle.

The Trabant.

I also visited Berlin’s famous Pergamon Museum, home of the Ishtar Gate, the Miletus Market Gate, and the wonderful Pergamon Altar, with a wrap-around sculpture depicting a battle between the Greek Gods and giants. When the museum was built in the 1910s-20s, these ancient monuments were reconstructed on site from shattered ruins and some fabricated parts – something no museum would do today. However harmful the reconstructions were to the purity of the ruins, they let you see how magnificent the buildings originally were.

The Pergamon Altar.

The Babylonian Ishtar Gate.

I had a great experience at my hostel, John’s Cozy Little Backpacker Hostel. The hostel was like its name: a little weird and cluttered, but intimate and with a lot of character. It was on the outskirts of Berlin in a Turkish immigrant neighborhood, which meant there were lots of internet cafes and doner kebap restaurants around. The bathroom was dirty, and I could hear more of what was happening in there from my bed than I would have liked, but it had a great kitchen, which trumps all other considerations. It was also cheap, costing only eleven euros a night. Berlin is strangely cheap; I assumed Germany would be one of the most expensive countries in Europe, since it’s one of the most developed.

Berlin’s signature dish, Currywurst, costs less than two euros. It’s a sliced bratwurst covered in a spicy sauce that may or may not be related to curry, usually served with fries on top.

Currywurst.

I formed a good group of friends with the other people in my room: a German couple, a Spanish teenager, an English guy from Manchester, and a Malaysian guy who just graduated from a college in Florida. About halfway through the week, we started going to breakfast together every day. One night we went to a club, but, as usual, the time spent getting there (two train transfers) and the price (five euros just to get in) wasn’t worth it for me.

Eurotrip 2011: Copenhagen

Eurotrip 2011: Bruges and Amsterdam

Eurotrip 2011: Lisbon and Porto

Eurotrip 2011: Madrid

Eurotrip 2011: Barcelona

Eurotrip 2011: Rouen, Le Havre and Paris

Eurotrip 2011: Paris

Eurotrip 2011: Nice and Marseille

Eurotrip 2011: Venice and Milan

Eurotrip 2011: Interlaken

Eurotrip 2011: Florence and Pisa

Eurotrip 2011: Rome pt. 2

Eurotrip 2011: Rome pt. 1

Eurotrip 2011: Palermo

Eurotrip 2011: The Journey To Palermo

Eurotrip 2011: Santorini and Athens

Eurotrip 2011: Athens

Eurotrip 2011: Istanbul

Read Full Post »

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