Posted in America, Movies, tagged '70s, Alan Arkin, America, Argo, Ben Affleck, Iranian Hostage Crisis, John Goodman, Movies on January 27, 2013 |
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Argo is an excellent movie about getting six Americans out of Iran after the U.S. embassy was taken in 1979 and the seemingly endless hostage drama began.
It’s one of those films that’s “based on true events.” I’ve always wondered what that means, so after enjoying Argo I did some checking on how much it deviates from the actual events. The BBC has a good comparison of reality versus the Hollywood version, and the answer is — Argo deviates quite a bit. A good rule of thumb when watching the movie is that anything that seems especially dramatic is either invented or highly modified.
Still, Argo is a very enjoyable, high-tension ride. As Iranians breach the gates and pour into the U.S. compound, six embassy employees escape. They make it to the Canadian embassy, and then American government has to decide how to get them out. Ben Affleck plays a CIA operative who is trained to extricate people from hostile territory, and he concocts the idea of having the six Americans play Canadians scouting for locations for a fake sci-fi movie called Argo. The first part of the movie follows Affleck as he sets up a phony production company, buys a script, and sells the idea to his CIA bosses; the last half of the movie sees Affleck in Iran, rallying the six Americans and steering them to their hair-raising escape.
Affleck — who I’ve always viewed as something of a cinematic lightweight — is excellent as CIA agent Tony Mendez. John Goodman and Alan Arkin bring humor to the Hollywood end of the film, and Bryan Cranston turns in a fine performance as a CIA official. The actors playing the six Americans hoping to be freed are entirely believable as terrified people who feel that the noose is tightening but don’t know what they can do about it. Those of us who lived through the Iranian hostage crisis will cringe at the scenes of the embassy being taken, the declarations of the hostage takers, and the mistreatment of the hostages themselves; more than 30 years later, I was surprised to learn that I still feel intense anger about the entire episode. You’ll also shake your heads, I predict, at the classic ’70s hairstyles, bushy moustaches, and vintage clothing. The ’70s were, indeed, an exceptionally ugly decade for fashion.
Go see Argo, if you haven’t seen it already. It’s exciting Hollywood fare — but don’t forget that it’s Hollywood fare.
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