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Archive for July 29th, 2012

Yesterday afternoon I took my book and a glass of water with some lemon juice out to the back yard.  I plopped down on our outdoor furniture under one of our trees, balanced the water glass somewhat precariously on the cool grass, and began to read.

After some enjoyable reading, my eyelids grew heavy, as I knew they would.  I tried to fight the sleepiness by moving around, taking a few sips of the cold water, and squinting extra hard at the page before me.  But — as the Borg would say — resistance was futile.  My head nods became more and more pronounced.  After a few feeble attempts at staying awake, the buzz of the insects, the heaviness of the warm air, and the coolness of the sun-dappled shade finally got me, and I drifted off.

After a time the tweeting of the birds, the bark of a dog, or the cry of one of the neighborhood kids — I’m not sure which — caused me to slowly surface from my slumbers.  I’m not sure how long I dozed, but when I reached for my glass it was still cool and dotted with perspiration, and a tiny shard of ice cube floated on top.  I crunched the holdout ice cube with pleasure, stretched until my old bones cracked, and went back to reading.

What better way to celebrate the pleasures of summer than falling asleep in the noonday sun, stretched out in close proximity to nature, feeling the warmth on your face and the drowsiness overcoming you?

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This summer, two swans and more than a dozen ducks call the pond at No. 5 North home.  They always approach when walkers tromp along the boardwalk, in hopes that the passersby might toss some bread crumbs into the water.

Yesterday, as Kish, Penny, Kasey, and I strolled past, the swans and the ducks had spotted a family at the other end of the boardwalk and were making a beeline in their direction, with the regal swan in the lead.

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Yesterday Kish and I went to see The Dark Knight Rises, in IMAX, at the Easton AMC Cinemas.

First, about IMAX:  I frankly don’t think it’s worth the extra money for standard Hollywood fare.  Before yesterday, the only IMAX movies I’d seen were nature-type movies about hiking on mountains or rafting through the Grand Canyon — movies where the spectacular scenery, on the huge screens, made for an overwhelmingly memorable experience.  Action-movie footage of Gotham City, car chases, and hand-to-hand combat just don’t have the same impact, no matter how loud the explosions might be.  IMAX gives you a bigger screen in a bigger theater, but I wasn’t able to appreciate any other material differences from your normal movie experience.

As for The Dark Knight Rises, the film is very, very long.  It has the standard elements of a seemingly indestructible, unbeatable villain and a plot that places Gotham City in mortal peril yet again, thereby allowing Batman and his comrades to show their superhero stuff.  Batman suffers mightily, as he always does, and speaks with that annoying growl when he wears his suit, and gets to use some new high-tech gadgets in the Battle Against Bane.

It’s a perfectly acceptable end to the Dark Knight trilogy, as characters and scenes from the prior two Dark Knight films make appearances.  Christian Bale has the Batman and Bruce Wayne characters down cold, Michael Caine and Morgan Freeman play their enjoyable supporting roles well, and Gary Oldman is steady and unflappable as Commissioner Gordon.  My favorite characters were Anne Hathaway, as an untrustworthy cat burglar thief turned ally, and Joseph Gordon-Levitt as a cop trying to deal with the carnage.  It’s rare that you appreciate acting — as opposed to action — in a film like this, but Hathaway’s performance broke through the explosions and fistfights.  And I think Gordon-Levitt makes a very convincing, and believable, action movie hero.

All of that said, I found it impossible to watch the movie without thinking of the subtext now put on the film by the Aurora, Colorado shootings.  The Dark Knight Rises is a dark, violent movie where innocent people going about their business get shot and killed by masked bad guys.  How can you watch Bane’s crew kill people at the Gotham Stock Exchange, for example, without thinking of the people at the midnight show when James Holmes burst in and began firing?  For me and probably for many people, the grisly backdrop of the shootings make it impossible to enjoy the movie as it was intended — as escapist, superhero fare.

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